
This blog is dedicated to the production design and concept work of a yet-to-be-titled BYU student film. It will rock like 80's hair bands thought they did.



















I was trying out this thing they do in asian paintings where women's dresses do these folds at the bottom and bunch up, but I don't think it worked out too hot here. I eventually stopped doing it so if you see it again I'm sorry.



Here's a watercolor I did of the master strangling the boy. I thought it would be dramatic. I guess this is something of a precursor to the upcoming "cast design" posting. At least I have 2 of the characters in here. So far, I favor Simini's design of the "wounded tiger" master (I'm using too many quote markers...) and Jake's original design of the boy remains popular. I don't know how simplified this should be. Obviously the concept art will most likely remain more detailed than the finalized animatable designs we decide on. I hope to simplify and modify these designs & post something later with everyone in an animatable fashion. Could someone post a list of exactly who everyone in the cast is? I can think of the boy, the master, mom, dad, the water spirit... who else? Let me know what you think of this design so I can have direction as to how I should tweak this for later posts.
This is a sketch of the boy's mom in their situation after the dad dies at war. I had the idea of the mother having to work in the fields in horrible conditions.
Here's a couple of sketches for the master. I wanted to explore different extremes with this character, as far as age and size go.
And finally, yes, I'm not giving up on the sea turtle water spirit, because I think it's AWESOME, whether it's Chinese, Japanese, or Indian or whatnot. I mean, just imagine a ginormous turtle surfacing next to the bridge! Pretty much I'll be pushing this idea until it becomes a capital offense.
The film starts out in complete white and fades into this scene showing the turtes walking around with cities on their backs. the camera zooms in on the middle one as it slowly pans down.
The camera goes into another cloud and fades to white.
When the camera comes out we are closer up on the bottum tier where the camera begins to pan up the city.
The camera stops when it gets up to where the boy lives and the story begins.
Show the boy leaving the turtle to go to another trtle or the main land across a bridge. A bird of prey flies overhead.
The boy takes one more sad look behind him to see his mom. He knows its going to be a while before he sees her again.
There are two men with axes waiting at the other end who move aside and then cuts the ropes when he is all the way across.
The boy knocking on the door of the grumpy man.
his reflection
I kind of like the turtle idea because turtles kind of represent a home anyway. Plus I think it is better if our hero actually has to remove himself from his original environment as part of his journey. I think it makes him more alone which could add to the unfair life he has been dealt. I think it is better if he has to live with the man and dosent go home to his mom every night.